Southside Walk
By Vita Lerche, Nasim Luczaj, Aaron Smyth and Niki Cardoso Zaupa
The Southside walk takes you through the Southside area of Govanhill. In the 1880's the area was home to Irish migrants, there are now over 50 nationalities and 32 languages spoken in Govanhill. The artists on this walk depict Govanhill as it was in the past, and as it is now. Through audio, visual and film work, common themes of film and theatre arise which resonate with the two sites of former cinemas on this route. Govanhill is presented as heart of the Southside, living, breathing with a multitude of histories:
Govanhill Baths:
'closure.
Disconnect.
Insert painting here.
See the boarded windows, ply fit for a painting, or three.
Atmosphere Atmosphere Atmosphere'
Govanhill Picture House:
'You can watch everyone
You can Look for what’s new
Regal silk,
City fog
a song without end'
"Beckett had been on my mind, 'Not, I' in particular. It became apparent that I should have segments repeated and contrasted against other audio samples from, 'The Searchers Theme', Carl Orff's 'Gassenhauer' and 'Dies Irae'. My images can be viewed in conjunction with the audio, they give something to the building to kind of complete it. Both image and audio deal with a domestic narrative, which plays out interestingly against this 'theatre set' of a building."
The "body" is divided into the 5 canonical parts: head, spine, thorax, arms and legs, and for each part the filmmaker adopts different shooting, editing and processing approaches. The head opens with a stop-motion video showing an array of the complex textures present on Govanhill's face; the spine section focuses on the notion of endurance, hence the moving images are placed one on top of the other, each one influencing the other through tiny random vibrations; the thorax video expands and pulses in the same way the diaphragm and the heart do; the strength of their arms is pictured with the use of very quick and mechanical pan-shots (from up to down and vice versa), the feedback video builds a trace up the same way arms build objects in space; the legs are conceptualised as the act of walking itself. A voice provides poetic commentary throughout the video and is accompanied by synthesised sound."